Preserving Kyiv's Architectural Legacy: An Urban Center Reconstructing Itself Amidst the Onslaught of Conflict.

Lesia Danylenko showed off with satisfaction her recently completed front door. Local helpers had given the moniker its graceful transom window the “pastry”, a lighthearted tribute to its arched shape. “Personally, I believe it’s more of a peafowl,” she commented, appreciating its branch-like ornamentation. The restoration project at one of Kyiv’s pre-World War I art nouveau houses was funded through residents, who marked the occasion with two lively pavement parties.

It was also an demonstration of resistance towards a foreign power, she elaborated: “We strive to live like ordinary people in spite of the war. It’s about organizing our life in the most positive way. Fear does not drive us of staying in our country. I could have left, moving away to another European nation. On the contrary, I’m here. The new entrance shows our commitment to our homeland.”

“We are trying to live like everyday people regardless of the war. It’s about shaping our life in the optimal way.”

Protecting Kyiv’s architectural heritage may appear unusual at a period when missile strikes routinely fall the capital, causing death and destruction. Since the beginning of the current year, aerial raids have been dramatically stepped up. After each assault, workers board up shattered windows with plywood and try, where possible, to save residential buildings.

Among the Explosions, a Fight for Identity

In the midst of war, a group of activists has been attempting to save the city’s crumbling mansions, built in a whimsical style known as Ukrainian modernism. Danylenko’s house is in the downtown Shevchenkivskyi district. It was constructed in 1906 and was first the home of a wealthy fur dealer. Its exterior is decorated with horse chestnut leaves and fine camomile flowers.

“They are symbols of Kyiv. These properties are increasingly scarce today,” Danylenko noted. The residence was designed by an architect of Central European origin. Several other buildings close by exhibit analogous art nouveau elements, including asymmetry – with a gothic tower on one side and a turret on the other. One much-loved house in the area boasts two sullen white stucco cats, as well as owls, masks and a demonic figure.

Dual Challenges to History

But external attacks is only one threat. Preservation campaigners say they face unprincipled developers who knock down historically significant buildings, dishonest officials and a administrative body unconcerned or resistant to the city’s vast architectural history. The severe winter climate adds another burden.

“Kyiv is a city where wealth dictates. We don’t have real political will to save our heritage,” said Dmytro Perov, an activist. He claimed the city’s mayor was allied with many of the developers who destroy important houses. Perov further alleged that the vision for the capital comes straight out of a previous decade. The mayor has refuted these claims, attributing them from political rivals.

Perov said many of the community-oriented activists who once defended older properties were now engaged in combat or had been fallen. The protracted conflict meant that the entire society was facing monetary strain, he added, including those in the legal system who mysteriously ruled in favour of questionable new-build schemes. “The longer this continues the more we see decline of our society and governing institutions,” he argued.

Destruction and Abandonment

One egregious demolition site is in the historic Podil neighbourhood. The street was home to classical 19th-century houses. A developer who purchased the plot had committed to preserve its charming brick facade. A day after the 2022 invasion, excavators razed it to the ground. Recently, a crane dug foundations for a new commercial complex, watched by a surly security guard.

Anatolii Pohorily, a heritage supporter, said there was not much hope for the remaining turquoise-painted houses on the site. Sometimes developers destroyed old properties while claiming they were doing “historical excavation”, he said. A former political system also wrought immense damage on the capital, rebuilding its primary street after the second world war so it could accommodate large-scale parades.

Upholding the Legacy

One of Kyiv’s most notable champions of historic buildings, a cultural activist, was killed in 2022 while engaged in a contested area. His colleague Nelli Chudna said she and other volunteers were continuing his vital preservation work. There were initially 3,500 brick-built mansions in Kyiv, many built for the city’s prosperous entrepreneurs. Only 80 of their period doors are still in existence, she said.

“It wasn’t external attacks that got rid of them. It was us,” she lamented. “The war could go on for another 20 years. If we neglect architecture now not a thing will be left,” she emphasized. Chudna recently helped to restore a unique creeper-covered house built in 1910, which serves as the headquarters of her cultural organization and doubles as a film set and museum. The property has a new crimson entrance and period-correct railings; inside is a historic washroom and antique mirrors.

“The war could last another 20 years. If we don’t defend architecture now not a thing will be left.”

The building’s occupant, artist Yurii Pikul, described his home as “very cool and a little bit cold”. Why do many locals not appreciate the past? “Unfortunately they are without education and taste. It’s all about business. We are attempting as a country to go to the west. But we are still some distance away from such cultural awareness,” he said. Previous ways of thinking remained, with people reluctant to take personal responsibility for their urban environment, he added.

Hope in Preservation

Some buildings are crumbling because of bureaucratic indifference. Chudna indicated a once-magical villa hidden behind a modern hospital. Its roof had fallen; pigeons roosted among its shattered windows; debris lay under a fairytale tower. “Often we don’t win,” she admitted. “Restoration is a coping mechanism for us. We are trying to save all this heritage and splendour.”

In the face of conflict and commercial interests, these citizens continue their work, one door at a time, stating that to save a city’s identity, you must first cherish its stones.

Nicholas Glenn
Nicholas Glenn

Elara Vance is a seasoned journalist and cultural critic, known for her engaging storytelling and deep dives into societal trends.